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Longer than anyone in the industry, and with more ear for detail, Audio Ease has been traveling the world to record the acoustics of the very best sounding spaces.

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It has semi-fixed parameters, with a selection of toggle switches offering limited editing of these.

It has a very fat, zappy sound and fantastic chunky coloured controls.

A hugely important aspect of the Ondes Martenot sound are the three loudpeakers (or diffuseurs) which are used to amplify the instrument : D1 - The main loudspeaker, for straight reproduction of the Ondes sound.

D2 - This speaker has springs stretched across the inside panel, and acts as a reverb unit.

The Ondes Martenot has been used in many film scores first dating from 1931; Odna by Shostakovich, Lawrence of Arabia (1962), Ghostbusters (1984), A Passage to India (1984), and recent films such as Amélie (2001) and recently There Will Be Blood (2007) by Jonny Greenwood of Radiohead.

Soniccouture Ondes v2.0 features new interface graphics, but most significantly it now has phase-locked oscillator samples.The filter (Traveler) is particularly interesting, with a LPF and HPF semi linked by interlocking faders.The EMS Synthi AKS is a legendary instrument with an illustrious history.Each speaker can have its own mic position, decay time and send level.There is also a dry 'line out' which bypasses all three.Guys, in my exploration for the soundfonts for Death by Glamour, I found out VERY similar synth leads for it.

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